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 Portfolio

One brand new one added on Nov 5, 2008.

Eight new images added on Aug 11, 2008.  Scroll away.

 

 

 

St Charles Dovetail made of Imperial jasper from Mexico.  This may be the most beautiful piece of stone I've ever worked. 

 Length, 7 3/8".  Personal collection.

 

This is the same point.  I enjoy taking photos of it in various settings and different lights.  You may see it again...

 

 

This is a replica of a Mississipian mace.  I borrowed heavily from key design elements of old maces without copying any one in particular.   The mace on the far left of the background photo, perhaps the finest of the old maces, was the primary inspiration.   The photo dates back to 1935 when these amazing artifacts were dug from the Craig Mound in Spiro, Oklahoma. 

This is the fifth mace I've made.  They all seem to take about 14 or 15 hours to knap, which is two or three times as long as other pieces.

Length:  14 1/2".  Material:  Georgetown chert.  Don Crouch collection.

 

 

Sure enough, here it is, but in the company of other pieces made of Imperial jasper.  The point types include a western-style Clovis, Scottsbluff, Hardin, Cumberland-ish fluted point, and a small dance sword. 

Greatest length:  8 3/4".  Personal collection, except for button-base dovetail in center (Craig Ferrell collection.  Merry Christmas, Craig!).

 

 

Hopewell Ross blade made of Imperial Jasper.  This amazing piece of rock came from Bruce Bradley.  Many thanks again, Bruce.  Length:  9 1/4".  Personal collection.

 

 

Pine Tree point, Alibates chert.  The background is the rusted hood of an old truck.  Length, about 5". 

Charles Lamb collection (the point, not the old truck).

 

Ross blades made from wildly striped flint from Poland.  The material is somewhat difficult to work:  the light areas are not as well-silicified as the dark brown areas.  Consequently, flakes tend to crow-hop through the different areas and try to end in an undesireable feature known as a step fracture.  The stone is so spectacular it makes up for any difficulties in knapping.  Greatest length:  9 1/8".  The larger blade is in my collection.  The smaller blade is in the Carolyn Johnson collection.

 

  

Yet another Ross blade.  This one is made of a truly exceptional piece of Knife River flint from North Dakota.  I didn't spend much time on this photo.  It was taken in the parking lot of my kids' school at sundown.  Sometimes less is more. 

Approximately 11 1/2".  Dave Hyatt collection.

 

This looks like the same blade, but it's a touch larger.  I've not seen another piece of Knife River flint like it.  There is a diagonal line of white inclusions in the stone:  in this photo it runs from the lower barb to the upper edge.  To the right of the line, the stone is peppered with remnants of organic material (the white inclusions).  The are to the left of the line is nearly free of them and the stone is a different shade of brown and less translucent, which is more easily seen when handled.  On the opposite face, there is an old, unhealed crack that runs though the basal area.  Safe to say I was nervous while working this magnificent piece of rock, but I'm very pleased with the result.

Length:  12".  Personal collection.

 

Hopewell Ross blade made of Flint Ridge chalcedony.  This photo does not show how translucent this stone is.  In the hand it looks like smoky ice.  Wonderful, rare material.

Length:  7 1/8".  Personal collection.

 

Blade made of "Cherry Quartz," a glass made in China. 

 Length:  15".   John Kiernan collection.

 

Ross blade made of Tecovas jasper.  Breathtaking stone.

Length: about 7".  Rod Chapman collection. 

 

  Spectacular rainbow obsidian blades (Davis Creek, California material). 

 Greatest length, about 13".  Private collection.

 

This may be the most technically perfect point I've ever made.  It is a replica of an Eden point made of Knife River flint from North Dakota. 

Length, about 5 1/2".  Joe Miller collection.

 

 

Hopewell Ross blade made of the most vivid iridescent green obsidian I have ever seen.  This amazing material came from Mexico. 

Length, 10 1/4".  Personal collection.

 

Another enormous Ross blade made of material from Flint Ridge, Ohio. 

Length, about 10 1/2".  Carolyn Johnson collection.

 

Mississippian dance sword, 17 1/16" long, 3 1/4" wide.  This is a sister slab to the huge Ross point pictured above.  There are remnants of the stone's outer surface on both ends of the blade -- I tried to maintain every possible millimeter of this once-in-a-lifetime rock.  I am very grateful to have had the opportunity to knap it. 

Length, 17 1/16".  Width, 3 1/4".  Flint Ridge chert.  Collection of Rod Chapman.

 

 

Danish dagger, type IVc.  The material is novaculite from Arkansas.  I made two small "practice" daggers and two which were full-size, all in one week.   They're a very intriguing type of knife, but I don't feel driven to make more.   

Length, 11 1/4".  Personal collection.

 

Hixton quartzite from Wisconsin, more correctly known as silicified sandstone.  Another nickname is "sugar quartz."  This is one of the scarcest and most sought after materials in the US.  I find it both challenging and rewarding to work.  The point types are (from the top):  two Scottsbluffs, Eared Eden, St Charles dovetail, and Scottsbluff.  

Greatest length:  8 3/4".  Personal collection (although Jerry Goth wants me dead so he can have them).

 

 

These are working points on cedar arrows.  They aren't especially elegant, but they are very functional.  The arrowpoint on the far left killed a 90 pound wild hog.  It and the one next to it are made from computer monitors.  It's wonderful irony to take glass from high-tech modern gizmos and make stone-age weapons.  The arrowhead on the far right is made of raw Knife River flint.

 

This arrowhead is made of jasper from India.  Length, about 2 1/2".  Collection of Ray Hammond. 

 

 

Another arrowhead made of Knife River flint.  This grasshopper is known as an "eastern lubber" (Romalea guttata).  They are enormous and can't fly, but have evolved the chemical defense of tasting very bad to would-be predators. 

 

 

 

This material has not been positively identified.  It may be a type of slag glass (a waste product from glass-making).  The other, far  more interesting possibility, is that it is fulgerite -- silica-rich quartz sand that was fused into glass by lightning that struck the ground.  Fulgerites typically occur as squiggly, blackened tubes the diameter of pencils.  A few large, glassy nodules have been documented, though.  The black streaks are carbonized bits of organic matter. This particular piece of material was reportedly found as a large, 40 to 50 pound nodule in a sandy field in south-central Georgia.  Regardless, it is simply beautiful. 

Greatest length, 7".  The point types:  Ross blade and western-style Clovis.  Personal collection.  Photo courtesy of Derek McLean.

 

This is definitely man-made material.  This slice of the sky is art glass from a West Virginia foundry. 

Length, 14 1/4".   Art French collection. 

 

 

Hopewell Ross blade made of Knife River flint from North Dakota.  Although it's called "flint", it's a chalcedony formed when silica-rich volcanic ash settled in a wet, organic environment.  The dark inclusions (especially pronounced in this piece) are thought to be remnants of marsh plants like cattails.  Absolutely gorgeous stuff. 

Length, 8 1/4".  Collection of Roger Warmuskerken.  Thanks again for letting me work this great piece of rock, Roger.

 

Hopewell Ross made of an enormous piece of Alibates from the Texas panhandle.  Alibates doesn't come any bigger than this. Or more beautiful. 

Length, 12".  Rod Chapman collection.

 

Ross blade made from a very unique piece of Imperial Jasper. 

Length, 5 7/8".  Personal collection.

 

 

Without a doubt, the best things I've ever made (my wife helped a little). They're a couple years older now, but are the nicest people I know. 

Personal collection.  Greatest length, 52 1/2".

 

 

Contact:  dblackwell002@satx.rr.com   Or you can go to the box at the top of this page and sign up to receive an occasional newsletter about new pieces and available work.

 

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